Débris' - Débris'
Sale price
$43.99
Regular price
$48.99
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Immerse yourself in the raw and untamed world of late 70s proto-punk with the electrifying vinyl release of Debris' unique masterpiece, simply titled "Debris".
Hailing from the unlikely location of Chickasha, Oklahoma, this trio – Chuck Ivey, Oliver Rectomo Powers and Johnny Gregg – defied the geographical odds to produce one of the most daring and "art-damaged" rock albums of the era. Recorded quickly in a ten-hour studio session, they unleashed their avant-garde sound just as the Ramones were emerging in 1976. With tracks like "One Way Spit," "Debris" proved louder, rawer and decidedly anti-establishment, wielding a sonic kaleidoscope blending LSD-induced chaos with rhythmic precision.
Barely scratching the surface, "Tricia" draws us deeper into their intriguing madness, with Oliver's eerie moans and power saw demonstrations, inspired by the notorious Patty Hearst saga. This artistic concoction channels Beefheartian eccentricity and taps into the avant-garde vein of influential Cleveland rock from the mid-'70s. The album, punctuated with analog synthesizers and enigmatic electronic effects, resonates like a fusion of Eno-era Roxy Music and the Stooges' "Fun House."
Although "Debris" never played New York's CBGB or Max's Kansas City, their self-titled album - or "Static Disposal" as it is often called - has become a sought-after gem among collectors. This cult classic is an undeniable touchstone for any vinyl aficionado eager to unearth a sonic relic that boldly dances between primal instincts and experimental daring.
Débris' - Débris'
Sale price
$43.99
Regular price
$48.99
Hailing from the unlikely location of Chickasha, Oklahoma, this trio – Chuck Ivey, Oliver Rectomo Powers and Johnny Gregg – defied the geographical odds to produce one of the most daring and "art-damaged" rock albums of the era. Recorded quickly in a ten-hour studio session, they unleashed their avant-garde sound just as the Ramones were emerging in 1976. With tracks like "One Way Spit," "Debris" proved louder, rawer and decidedly anti-establishment, wielding a sonic kaleidoscope blending LSD-induced chaos with rhythmic precision.
Barely scratching the surface, "Tricia" draws us deeper into their intriguing madness, with Oliver's eerie moans and power saw demonstrations, inspired by the notorious Patty Hearst saga. This artistic concoction channels Beefheartian eccentricity and taps into the avant-garde vein of influential Cleveland rock from the mid-'70s. The album, punctuated with analog synthesizers and enigmatic electronic effects, resonates like a fusion of Eno-era Roxy Music and the Stooges' "Fun House."
Although "Debris" never played New York's CBGB or Max's Kansas City, their self-titled album - or "Static Disposal" as it is often called - has become a sought-after gem among collectors. This cult classic is an undeniable touchstone for any vinyl aficionado eager to unearth a sonic relic that boldly dances between primal instincts and experimental daring.